3d studio viz9/5/2023 What you can do with that knowledge is limitless. It's a bit of arts, a bit of engineering and a bit of math. NL: Architecture is the best education you can get. How did your academic background contributе to your success? Luckily, with V-Ray becoming more optimized with each version and our process improving every year, this has been easier to do and, in the end, the results look so much better! We had been very reliant on post to finalize our images and fix problems on short timelines. Up until then we had been faking GI in Scanline with rings of point lights of varying colours.Ī recent challenge in general has been moving away from heavy Photoshop post-production and trying to do more in the V-Ray Frame Buffer. It also opened up the world of real Global Illumination (GI). I quickly figured out that I could buy renderfarms to support our main workstations and dramatically increase our speed. We had been using Scanline rendering up until then and the increased render times really threw me for a loop. It was the first project where we used V-Ray. NL: So many! I'd say the very first one (which changed the way we did things forever after that) was the Jets/Giants Stadium in NYC around 2007. We were lucky enough to ride that wave of growth to this very day.Ĭan you think of any projects which have pushed you out of your comfort zone? How did you and the studio adapt? In year five, I finally decided to build a team, which happened to be around the same time that Toronto began experiencing a huge boom in development of all kinds. I spent the first five years freelancing for the best architecture and design firms in Toronto. After about a year of being the only employee, I left to start my own studio. But I had to do something, so I joined a local studio in 2001. I had no interest in pursuing the profession. NL: I dropped out of school four months shy of completing my architecture degree. NL: Our studio is a collective of strong leaders and artists so it's tough to highlight one individual without highlighting everyone! Having said that, our technology, education and community initiatives are spearheaded by myself, our Managing Directors Christophe Chevallier and Terry Sin, and our Director of Marketing Kimberly Valmeo. Norm Li: We're a group of artists who create engaging visual content for the real estate development, architecture and design industry to make them look their best. How would you describe the studio in one sentence?
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